Our Catalogue

Pintxos is a collection of short texts binding together the volatility of events.

Christopher Norris draws on a lifetime of involvement with music. Mostly know for his work in philosophy, literary theory, and the history of ideas, Norris has chosen a great range of verse forms, among them sonnet, terzanelle, quatrain, terza rima, ottava rima, and pantoum to treat individual composers, Purcell to Shostakovich and Philip Glass, and themes such as the tritone, or ‘devil in music’.

These English renderings offer a wide selection of Rilke’s New Poems (1907-8), ranging across many genres and reflecting the poet’s extraordinary gifts of inventiveness, depth, acute observation, and narrative power.

This tribute to Adorno’s unequalled powers as a critic and theorist makes a case for a kind of poetry that engages issues beyond the narrowly personal remit of much contemporary verse.

Hedgehogs is an extended sequence of poems and verse-essays about Jacques Derrida in formal verse of a variously witty, ironic, reflective, discursive, and narrative character.

This is a collection of subtle poems, embracing a natural musical rhythm without a schematic meter and rhyme. The Black Wall offers a still picture which ultimately gives way to action and change.

This book introduces Ereignis as a philosophical concept, as a technology, and as a way of life. The text is interlaced with photographs by award-winning director Stefan Chazbijewicz.

The Time Machine redefined the science fiction genre to include concepts like spacetime. This edition features a newly written introduction by Poul Houe.

Jacob’s Room is a groundbreaking exploration of the stream-of-consciousness technique with which Virginia Woolf since became associated. This volume is edited and introduced by Monika Žagar.

Wuthering Heights traces the intense and ultimately destructive affair between Heathcliff and Catherine Earnshaw, a love that endures beyond their mortal confines. Our edition is introduced by Jørgen Veisland.

Combining elements of romance and melodrama, Oliver Twist inaugurated a new kind of fiction. This volume is edited and introduced by Jørgen Veisland.

After reuniting with Tony, Tania believes her future is settled. But some events during her senior year makes her think again.

When she grew up Tania’s friend Anna used guile and ingenuity to get what she wanted, but as she retells her story to Tania she discovers that she has to tell the truth.

She was in love. Would she have the guile and skills to capture the heart of the man she wanted?

Tania is tired of school and gets involved with the wrong kinds of people. But then something happens that turns her life around.