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Christopher Norris draws on a lifetime of involvement with music. Mostly know for his work in philosophy, literary theory, and the history of ideas, Norris has chosen a great range of verse forms, among them sonnet, terzanelle, quatrain, terza rima, ottava rima, and pantoum to treat individual composers, Purcell to Shostakovich and Philip Glass, and themes such as the tritone, or ‘devil in music’.