• Artificial Alterity, Affective Normativity, and the Micropolitics of Digital Subjectivation

    Paper: Claudia Landolfi (Bio)

  • Artificial infrastructures

    Welcome: Torgeir Fjeld (Bio)

  • Artificial, incommunicable: the cybernetic rationalization of work

    Keynote: Jan Overwijk (Bio)

  • Beyond the Black Box: LLM Evaluation Devices as Objects of Enquiry

    Paper: Len Krawczyk (Bio)

  • Claude‘s Constitution: Matter and form as artifice

    Keynote: Jørgen Veisland (Bio)

  • Différance and Techno-logic in Philosophical Discourse

    Paper: Kathleen Kerr-Koch (Bio)

  • Does it Really Matter if AI Systems Exhibit Autonomy?

    Paper: Braden Cooper (Bio)

  • Dread Natty Dreadlock: Natural/Artificial, Compulsory Cyborging, and the Counter-Ontology of One Love

    Paper: Marie Nadine Pierre (Bio)

  • Echo, AI and Machine Listening

    Paper: Dorota Orzechowska (Bio)

  • Exploring AI Usage in Contemporary Indonesian Music and Poetry

    Paper: Joseph Tobing (Bio)

  • Learning with Microbes in the Age of E‑waste

    Workshop: Liv Tsim (Bio)

  • LLMs as Différance Machines: Derrida, Searle, and the Problem of Propositional Unity

    Paper: Jakub Mácha (Bio)

  • Mirror, Mirror on the Wall: Who’s the Phantom in It All? LLMs, Ressentiment, and the Rise of Fascism

    Paper: Maria Jankowska (Bio)

  • More than imitation: Chatbots as simulation of the Other. On some ontological implications.

    Paper: Juan César Hernández León (Bio)

  • Spirit Is Data: AI, Infinite Judgement, and the Society of Control

    Keynote: Alex Taek-Gwang Lee (Bio)

  • The Closing of the Unconscious: Connaissance, Savoir, and the New Technology

    Keynote: Levi Bryant (Bio)

  • The Suspension of Touch: AI Lovers and the Flesh of Reversibility

    Paper: Balım İslamoğlu (Bio)

  • The Witness Who Believed the Algorithm. On the Crisis of Testimony in the Age of AI.

    Paper: Andrzej Skupień (Bio)

  • Writing in Fragments, Thinking in Totality: Class, Alterity, and AI

    Paper: Rob Wilkie (Bio)

  • Writing, or the First Artifact

    Paper: Dror Pimentel (Bio)